The Repair Series: Rediscovering Rest and Renewal Through a Crime Novel

This morning, I woke up feeling a rare and deeply satisfying sense of rest and accomplishment, something I hadn’t experienced in a long time. My committee chair had suggested I take a break after the grueling process of my preliminary exams – both written and oral – which required reading countless books and articles, and producing a literature review that earned high praise from my committee. I had poured everything into this process, leaving me intellectually exhausted, all while balancing conference preparation, teaching, motherhood, and the complex demands of my life. It had been overwhelming.

But today, I woke up genuinely relaxed, with nothing to rush through or prepare for. This unfamiliar calmness washed over me as I lay in bed, staring at the ceiling, everyone else still asleep. I considered checking my phone but didn’t want to break the silence and tranquility of the moment by plunging into the noisy digital world. I found myself craving a John Grisham novel, but all my favorites were back in Nigeria. Then I remembered some novels I had picked up from the department last year that I hadn’t given much thought to. I scanned my bookshelf and settled on The Ballad of Frankie Silver by Sharyn McCrumb.

I began reading tentatively, realizing I was rusty; academic texts had dominated my reading for so long. But as I read, I gradually relaxed into it. My Alexa played on 99.1, filling the room with a nostalgic mix of songs, from Mariah Carey’s “Dreamlover” to Tracy Chapman’s “Fast Car.” In that moment, I felt sixteen again, back in my room in Ayobo, a suburb in Lagos, Nigeria, lost in a crime novel with Cool FM 96.9 playing in the background. The nostalgia nearly brought me to tears. I felt good. I felt renewed. It was like a deep repair had taken place.

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Hello,

I’m Tèmítọ́pẹ́

As a central analytic for the work of the institutional ethnographer, standpoint foregrounds the ways individuals are unique and therefore uniquely experience the broad social relations and institutional circuits in which they are embedded.
Standpoint recognizes that how people negotiate their social circumstances as professionals is entirely wrapped up in their ways of being in the world—­who we are, what we know, how we are seen by others, our designated roles, and how we have been credentialed or come by our experiences all play a role in how we carry out our daily work.

— Michelle LaFrance, Institutional Ethnography, 2019.